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KEVIN CHEN

On Sunday ๐Ÿ๐ŸŽ๐ญ๐ก ๐ƒ๐ž๐œ๐ž๐ฆ๐›๐ž๐ซ, Dubai will welcome the renowned ๐ฉ๐ข๐š๐ง๐ข๐ฌ๐ญ ๐Š๐ž๐ฏ๐ข๐ง ๐‚๐ก๐ž๐ง, a young Canadian artist who has taken the music world by storm in just a few years. First Prize winner of multiple distinguished international competitions, including the 2023 Arthur Rubinstein Piano Master Competition, 2022 Concours de Genรจve, 2021 Franz Liszt International Piano Competition, and the 2020 Hilton Head International Piano Competition, to mention a few, Chen has already performed in such acclaimed venues as New Yorkโ€™s Carnegie Hall and Londonโ€™s St Johnโ€™s Smith Square, and will now be appearing at Dubai Opera as part of the ๐•๐ˆ๐ ๐‚๐ฅ๐š๐ฌ๐ฌ๐ข๐œ๐š๐ฅ initiative, organised by ๐’๐€๐Œ๐ˆ๐“ ๐„๐ฏ๐ž๐ง๐ญ ๐†๐ซ๐จ๐ฎ๐ฉ. Presenting a ๐ฌ๐จ๐ฅ๐จ ๐ซ๐ž๐œ๐ข๐ญ๐š๐ฅ, Chen will open this evening with Ludwig van Beethovenโ€™s Sonata No. 28 in A major, an 1816 work that is widely considered to mark the beginning of the great composerโ€™s final period, with more complex forms and ideas, sophisticated themes and motifs, and a greater focus on polyphony. This will be followed by Composer-in-Residence Alexey Shorโ€™s Sonata No. 2, a work in three movements that takes a neoclassical approach to contemporary music, maintaining the primacy of lyricism and melody while exploring its themes with a decidedly modern viewpoint. Then, to close off the first part of the concert, comes Felix Mendelssohnโ€™s Variations sรฉrieuses, op. 54, a relatively brief set of piano variations published in 1842 that are renowned for their beauty and for the virtuosic demands they make of the performer. After the ๐ข๐ง๐ญ๐ž๐ซ๐ฆ๐ข๐ฌ๐ฌ๐ข๐จ๐ง, the Canadian pianist will conclude with two works from the pen of Frรฉdรฉric Chopin, starting with the celebrated Polonaise-Fantaisie from 1846. Hailed as one of the Polish composerโ€™s last major compositions, the piece, as its name suggests, offers an intriguing blend of two distinct styles, since it is fundamentally a Fantasy yet owes a huge debt to the polonaise form. Finally, comes the ร‰tudes, Op. 25, the last formal study for solo piano from Chopinโ€™s illustrious career. First published in 1837, the work is famous for its technical demands, and will mark the perfect note to close off Chenโ€™s first performance at Dubai Opera!

๐๐ซ๐จ๐ ๐ซ๐š๐ฆ๐ฆ๐ž

๐๐š๐ซ๐ญ ๐Ÿ

๐‹๐ฎ๐๐ฐ๐ข๐  ๐ฏ๐š๐ง ๐๐ž๐ž๐ญ๐ก๐จ๐ฏ๐ž๐ง

Sonata no. 28 in A major, op. 101

  1. Etwas lebhaft, und mit der innigsten Empfindung
  2. Lebhaft, marschmรครŸig

ย ย ย ย III. Langsam und sehnsuchtsvoll

  1. Geschwind, doch nicht zu sehr, und mit Entschlossenheit

๐€๐ฅ๐ž๐ฑ๐ž๐ฒ ๐’๐ก๐จ๐ซ

Sonata no. 2

  1. Allegretto
  2. Adagio con grazia

ย ย ย ย III. Molto allegro con fuoco

๐…๐ž๐ฅ๐ข๐ฑ ๐Œ๐ž๐ง๐๐ž๐ฅ๐ฌ๐ฌ๐จ๐ก๐ง

Variations sรฉrieuses, op. 54

๐ˆ๐ง๐ญ๐ž๐ซ๐ฆ๐ข๐ฌ๐ฌ๐ข๐จ๐ง

๐๐š๐ซ๐ญ ๐Ÿ

๐…๐ซ๐ฒ๐๐ž๐ซ๐ฒ๐ค ๐‚๐ก๐จ๐ฉ๐ข๐ง

Polonaise-Fantaisie, op. 61

๐…๐ซ๐ฒ๐๐ž๐ซ๐ฒ๐ค ๐‚๐ก๐จ๐ฉ๐ข๐ง

12 Etudes, op. 25

  1. Allegro sostenuto
  2. Presto
  3. Allegro
  4. Agitato
  5. Vivace
  6. Allegro
  7. Lento
  8. Vivace
  9. Allegro assai
  10. Allegro con fuoco
  11. Lento โ€” Allegro con brio
  12. Allegro molto con fuocoย 

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